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(1). FORENSIC DESIGN ASSESSMENTS This task relates to a sequence of assessments that will be repeated across Chapters 6, 7, 8, 9 and 10. Select any example of a visualisation or infographic, maybe your own work or that of others. The task is to undertake a deep, detailed ‘forensic’ like assessment of the design

Exercises

(1). FORENSIC DESIGN ASSESSMENTS

This task relates to a sequence of assessments that will be repeated across Chapters 6, 7, 8, 9 and 10. Select any example of a visualisation or infographic, maybe your own work or that of others. The task is to undertake a deep, detailed ‘forensic’ like assessment of the design choices made across each of the five layers of the chosen visualisation’s anatomy. In each case your assessment is only concerned with one design layer at a time.

For this task, take a close look at the composition choices:

  1. Start by identifying all the applications of colour deployed, listing them under the headers of 1) project composition, and 2) chart composition
  2. How suitable are the choices and deployment of these composition properties? If they are not, what do you think they should have been?
  3. Go through the set of ‘Influencing factors’ from the latter section of the book’s chapter to help shape your assessment and to possibly inform how you might tackle this design layer differently
  4. Also, considering the range of potential composition approaches, what would you do differently or additionally?

(2). ARTIFICIAL CIRCUMSTANCES

Select a sample visualisation or infographic project and identify all the composition choices on display. Pretend you are now the designer working up some new composition choices in the face of having to accommodate new contextual factors, how might you colour this project if…

  1. You had to demonstrate the worst possible data visualisation composition practices (in the same space)
  2. You had to force yourself to use as small a space as reasonably possible?
  3. You have to transpose the work from landscape > portrait or vice-versa?
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